Experimenting with curves and abstract trees and branches. Part of a new quilt for my exhibition with Rebecca Staunton Coffey later in 2024. Lots of hand printed and hand dyed fabrics that, when cut into slivers, made really great trunks and branches - textural and lifted the otherwise flat appearance of each block.
Priority #1: Create My CBD office sits on the edge of this mighty, murky waterway - the Brisbane River. Over the next six months I'll be working on an exhibition piece as part of the Broadstrokes artists group. Starting with the obvious, I'm making preliminary sketches to determine the substrate form. I need to consider how it will perform under the visual intent of the piece. That is, " substrate " can be used to convey those things which " underly " or " sit beneath " the primary image. Infused by a river. I need to consider the political, social, economic, ethical or moral connections. I'll also explore which materials are best suited for that purpose.
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