Ali George Artist

  Scaling up an image of the Brisbane River to develop the substrate for a new art quilt. Each square needs to be 6cm x 6cm to make a finished size of 5 cm square.  I created a "to scale" model of the finished quilt on drafting paper. I printed an image of the river (attribution below) and then scaled it up to get a fairly accurate flow across the quilt.  The substrate rightly tells the background story. It is the foundation on which the main elements or features reside. So it isn't the "hero" of the piece - it needs to be recognised and visible without overwhelming the piece.   I can now easily identify which squares hold a section of the river and start to experiment on piecing, applique, fusing, printing, and painting to learn which gives the best outcome for the substrate.  (Brisbane River original image: Magpie Shooter; edited version Paulguard at en.wikipedia https://commons.wikimedia.org/w/indix.php?curid=9724127) My foundation piece might well end up bei

I find the process that resolves itself as a textile work challenging. In the beginning I am clueless. This is as much a strength as a source of mild anxiety. I have learnt persistence and turning up are as important as creative thinking.  I'm mindful  my first response is not going to be the best so I'm starting with a mind-dump. My focus is the Neville Bonner Pedestrian bridge connecting Queens Wharf to South Bank. Thoughts are scratched deep into journal pages. I'll find more connections over coming months. Right now I'm challenged and torn. What started as perfunctory research about Meanjin's (Brisbane's) newest bridge has developed into a sense of disappointment and WTFWTWPT (WTF-were-the-white-people-thinking)? I'm unpacking those thoughts in my journal - the architects and their inspiration, the consortium , what the bridge connects, where it leads, Yuggera and Turrbul people's connections to this part of the river, Mr Neville Bonner's  own

Priority #1: Create My CBD office sits on the edge of this mighty, murky waterway - the Brisbane River.  Over the next six months I'll be working on an exhibition piece as part of the Broadstrokes artists group.  Starting with the obvious, I'm making preliminary sketches to determine the substrate form. I need to consider how it will perform under the visual intent of the piece. That is, " substrate " can be used to convey those things which " underly " or " sit beneath " the  primary image. Infused by a river.  I need to consider the political, social, economic, ethical or moral connections.  I'll also explore which  materials are best suited for that purpose.