There's so much pre-work and thinking I need to do before a single piece of fabric gets cut. Weeks, and sometimes months. Moments here and there. Snatched time in between the myriad of other things that require love and attention. These are initial experiments with a large scale tree - achieving different values in tone as well as challenging the notion of colour. There is still the thing about light, and the way the Moreton Bay Ash casts off the old skin for new bark each year. It's getting close to autumn and the evening light is softening - clear, fresh yet gentle after the ferocity of summer and scorched plants. The result of this testing and resolving a whole lots of textile and artistic tensions will be at A Sense of Place exhibition in late 2024 at the Warwick Regional Art Gallery.
Priority #1: Create My CBD office sits on the edge of this mighty, murky waterway - the Brisbane River. Over the next six months I'll be working on an exhibition piece as part of the Broadstrokes artists group. Starting with the obvious, I'm making preliminary sketches to determine the substrate form. I need to consider how it will perform under the visual intent of the piece. That is, " substrate " can be used to convey those things which " underly " or " sit beneath " the primary image. Infused by a river. I need to consider the political, social, economic, ethical or moral connections. I'll also explore which materials are best suited for that purpose.
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