A day at the library - planning for success

Spent the majority of today at the Ipswich Library at Orion / Springfield. Booked myself a quiet room for a few hours of serious research and the relaxed for a few more hours in a general area for those needing quiet time.

It gave me a chance to think about how I carve out time and need to hold on to time for planning and the "business side" of being a creative. I'm utilising some terrific resources through the Make Big Art group and really focussing on how to build a sustainable arts practice, build confidence in producing my art and eventually, I'll participate in the Greenhouse group and work with Lisa Call to develop a deeper body of work.

The library resources are simply fantastic with multiple areas to work, focus and participate - meeting rooms, learning spaces technology and old fashioned chairs in which to immerse oneself in a good read. My idea for a perfect day.

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It's all in the background - designing substrate

Scaling up an image of the Brisbane River to develop the substrate for a new art quilt. Each square needs to be 6cm x 6cm to make a finished size of 5 cm square. I created a "to scale" model of the finished quilt on drafting paper. I printed an image of the river (attribution below) and then scaled it up to get a fairly accurate flow across the quilt. The substrate rightly tells the background story. It is the foundation on which the main elements or features reside. So it isn't the "hero" of the piece - it needs to be recognised and visible without overwhelming the piece. I can now easily identify which squares hold a section of the river and start to experiment on piecing, applique, fusing, printing, and painting to learn which gives the best outcome for the substrate. (Brisbane River original image: Magpie Shooter; edited version Paulguard at en.wikipedia https://commons.wikimedia.org/w/indix.php?curid=9724127) My foundation piece might well end u...

Book Review - The Untamed Thread by Fleur Woods

One of those books that almost needs no review or enthusiastic write up - it just is sumptuous, full of texture and inspirational stitch that's as good as chicken soup for the soul. The pages are thoughtful, intentional, about bringing meaning to mark-making and embracing where you find yourself, whereever that is. Fleaur's love of nature intersects with her strong encouragement to explore, experiment and above all be at one with stitching in the ways of needle, thread, a cup of tea and taking time. I found more than a 'how to' and more than the superbly photgraphed processes - this is a wonderful free-form meets the joy of being still. I have loved every page, some I pour over again and again to take in the rich, visual texture and find new perspectives every time I revisit. Koa Press is a New Zealand Publisher, and the book can be purchased through Can Do Books .

Beginnings of a tree

There's so much pre-work and thinking I need to do before a single piece of fabric gets cut. Weeks, and sometimes months. Moments here and there. Snatched time in between the myriad of other things that require love and attention. These are initial experiments with a large scale tree - achieving different values in tone as well as challenging the notion of colour. There is still the thing about light, and the way the Moreton Bay Ash casts off the old skin for new bark each year. It's getting close to autumn and the evening light is softening - clear, fresh yet gentle after the ferocity of summer and scorched plants. The result of this testing and resolving a whole lots of textile and artistic tensions will be at A Sense of Place exhibition in late 2024 at the Warwick Regional Art Gallery.

Ali George Artist

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