Moving fortnight, rather than a day. We've loaded the vehicles and made the round trip each morning until only the heavy things were left for those with younger backs a.k.a the removalists. The advantage seemed to be in unpacking each box each trip so that when the "big day" arrived, everything was in its place except the studio. Not sure how the majority of boxes, crates and cases were labelled "studio" and it felt like the Sorcerer's Apprentice - never ending boxes from seemingly nowhere. Unpacking is a chance to renew an old acquaintance with materials and objects not seen since they were stored 2+ years ago. It begs the question about whether I need any of it given I've managed to create in a confined space while we waited for the build. Everything is being reviewed for the joy it brings, why it is in the box, what I will do with it, or can I thank it for its service and find a new home? A long, hard and muscle-wearying experience, but one that the bubbles with French writing on the label have soothed.
Scaling up an image of the Brisbane River to develop the substrate for a new art quilt. Each square needs to be 6cm x 6cm to make a finished size of 5 cm square. I created a "to scale" model of the finished quilt on drafting paper. I printed an image of the river (attribution below) and then scaled it up to get a fairly accurate flow across the quilt. The substrate rightly tells the background story. It is the foundation on which the main elements or features reside. So it isn't the "hero" of the piece - it needs to be recognised and visible without overwhelming the piece. I can now easily identify which squares hold a section of the river and start to experiment on piecing, applique, fusing, printing, and painting to learn which gives the best outcome for the substrate. (Brisbane River original image: Magpie Shooter; edited version Paulguard at en.wikipedia https://commons.wikimedia.org/w/indix.php?curid=9724127) My foundation piece might well end u...
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