Planning an artist's life - exhibition time!

Another catchup with Rebecca and some serious planning for our end of 2024 exhibition. apart from creating gallery worthy pieces, we need to consider the exhibition space, and how we can use it to its best advantage. We have been considering our general theme, the things that unite us in style, size, colour, scale and shape, and what will bring the exhibition gravitas, what will our "wow factor" be? We're also considering related activities, workshops, artist talks, the "shop", how we best involve visitors and give them the best experience we can. Hard work, that we both enjoy in the planning stage, as much as the independent making phase.

I can't wait to move into the new house and get the indoor studio established - then the work and magic will really begin.

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It's all in the background - designing substrate

Scaling up an image of the Brisbane River to develop the substrate for a new art quilt. Each square needs to be 6cm x 6cm to make a finished size of 5 cm square. I created a "to scale" model of the finished quilt on drafting paper. I printed an image of the river (attribution below) and then scaled it up to get a fairly accurate flow across the quilt. The substrate rightly tells the background story. It is the foundation on which the main elements or features reside. So it isn't the "hero" of the piece - it needs to be recognised and visible without overwhelming the piece. I can now easily identify which squares hold a section of the river and start to experiment on piecing, applique, fusing, printing, and painting to learn which gives the best outcome for the substrate. (Brisbane River original image: Magpie Shooter; edited version Paulguard at en.wikipedia https://commons.wikimedia.org/w/indix.php?curid=9724127) My foundation piece might well end u...

Book Review - The Untamed Thread by Fleur Woods

One of those books that almost needs no review or enthusiastic write up - it just is sumptuous, full of texture and inspirational stitch that's as good as chicken soup for the soul. The pages are thoughtful, intentional, about bringing meaning to mark-making and embracing where you find yourself, whereever that is. Fleaur's love of nature intersects with her strong encouragement to explore, experiment and above all be at one with stitching in the ways of needle, thread, a cup of tea and taking time. I found more than a 'how to' and more than the superbly photgraphed processes - this is a wonderful free-form meets the joy of being still. I have loved every page, some I pour over again and again to take in the rich, visual texture and find new perspectives every time I revisit. Koa Press is a New Zealand Publisher, and the book can be purchased through Can Do Books .

Ali George Artist

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