Printmaking (and a friend)

Priority #1 Create: Experimenting with a new carving inspired by brilliant Australian designer Francis Burke, Finnish artist Maija Isola and Swedish designer Stig Lindberg. I am experimenting on a former hotel tablecloth. It is one of many end-of-life hotel linens I purchased through a disposals agent. They are mostly a cotton/poly blend. They are invaluable for test prints. The process ground to a halt when my assistant tried printing with his inked up wirehaired haunches. After a few days of drying (the cloth, not the assistant) I'm ready to continue. Many lessons and tweaks from our session. The solid rectangles overwhelm the more delicate stem and bud shapes. An issue with scale perhaps. I'll continue without re-carving the block. Repetition of itself is pleasing to the eye and the registration quality could, in the wisdoms of Shunryu Suzuki, do with a little improvement.

Textile: used tablecloth, 75% cotton and 25% polyester printed with original linocut design, hand pressed onto upper facing right side of fabric, Sakura Block Ink (Black and Prussian blue).

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Making progress Trees #2

It's all in the background - designing substrate

Scaling up an image of the Brisbane River to develop the substrate for a new art quilt. Each square needs to be 6cm x 6cm to make a finished size of 5 cm square. I created a "to scale" model of the finished quilt on drafting paper. I printed an image of the river (attribution below) and then scaled it up to get a fairly accurate flow across the quilt. The substrate rightly tells the background story. It is the foundation on which the main elements or features reside. So it isn't the "hero" of the piece - it needs to be recognised and visible without overwhelming the piece. I can now easily identify which squares hold a section of the river and start to experiment on piecing, applique, fusing, printing, and painting to learn which gives the best outcome for the substrate. (Brisbane River original image: Magpie Shooter; edited version Paulguard at en.wikipedia https://commons.wikimedia.org/w/indix.php?curid=9724127) My foundation piece might well end u...

The mess before the beauty

The excavator's words have stuck in my head, rent free. ' I have to make one hell of a mess before it can become beautiful. There is no beautiful end without the mess '. Or words to that effect. The retaining walls at the back of the house have to be finished before anything else can happen in the yard - and in between downpours, a few expletives and more rain, it has beena testing time for all involved in the construction. I thought about his words - and the effort of making a quilt from scratch. The planning, drawing, testing, dyeing, playing, creating, starting again, creating and the final 'ah ha'. There is so much 'mess' before a quilt is resolved becomes a thing of meaning and beautiful in its own way. Blessed are the excavators.

Ali George Artist

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